Review by Gayle K. Brunelle; Annette Finley-Croswhite
Reviews with tag "Gender"
Abortion during the Occupation: Claude Chabrol’s [Une affaire de femmes] (Story of Women)
Review by Hanna Diamond
Love and Art: [Portrait de la jeune fille en feu] (2019)
Review by Amy Freund
Agnès Varda and [L’Une chante, l’autre pas]
Review by Susan Whitney
[Mademoiselle de Joncquières] or Diderot Updated and Corrected
Review by Elena Russo
Adapting Emile Zola’s [L’Assommoir], René Clément’s [Gervaise] (1956)
Review by Rosemary A. Peters-Hill
Truth or fiction and why it matters. A look at Ivan Jablonka, Emmanuel Carrère, and Laurent Binet
Review by Liana Vardi
[L’Adversaire] by Emmanuel Carrère
Review by Liana Vardi
[HHhH] by Laurent Binet
Review by Liana Vardi
“Keep Those Swords Away from the Computer, Boys!” The Three Musketeers in the Classroom
Review by Charlotte C. Wells
Literature as post-colonial reality? Kamel Daoud’s [The Meursault Investigation]
Review by Natalya Vince
Benoît Jacquot’s [Journal d’une femme de chambre]
Review by Eliza Earle Ferguson
[A Little Chaos] in Louis XIV’s Court
Review by Kathleen Wellman
Too Much and Not Enough: [Yves Saint Laurent and Saint Laurent]
Review by Mary Lynn Stewart
Napoleon’s Fiancée: The Fabulous Destiny of Désirée Clary
Review by Michael Sibalis
Stranger than Fiction: Steven Levingston on Murder, Mesmerism, and Forensics in Fin-de-siècle Paris
Review by Barbara C. Pope
[A la recherche du père perdu]: Guillaume Nicloux’s [La Religieuse] (2013)
Review by Lisa Jane Graham
Imagining the Last Capetians: Maurice Druon, [The Accursed Kings]
Review by Sarah Hanley
Teaching [Le Feu/Under Fire] by Henri Barbusse
Review by Susan R. Grayzel
The Birth of the Department Store: Émile Zola’s [Au bonheur des dames] and BBC’s [The Paradise] miniseries
Review by Michael Miller
Mad Women Artists: [Séraphine, Camille Claudel 1915, Aloïse]
Review by Mark S. Micale
Alice Winocour’s [Augustine]
Review by Judith Surkis
Happy as a Slave: The [Toussaint Louverture] miniseries
Review by Alyssa Goldstein Sepinwall
Death in the Belle Époque: Barbara Corrado Pope’s Trilogy of Mysteries
Review by Charles Sowerwine
À bas la guillotine! Vive la bourgeoisie? [Lacenaire] and [The Widow of Saint Pierre]
Review by Thomas Cragin
Collaboration during the Occupation: The “St-Cyr and Kohler” Mysteries
Review by Robin Walz
Catholic Reform in the Grand Siècle: [Monsieur Vincent] (1947)
Review by Michael Wolfe
Possession in the Grand Siècle: [The Devils]
Review by Darryl Dee
[A Place of Greater Safety]
Review by Colin Jones
Sex, Drugs, and Literature
Review by David Caron
[The French Revolution on TV in the New Millennium]
Review by Aurore Chery
[Unwritten Stories]
Review by Laurent Dubois
[Indochine] and [The Sea Wall]
Review by Alison J. Murray Levine and Eric T. Jennings
Being Medieval and Civilized
Review by Daniel Lord Smail
[Beaumarchais l’insolent] and [Ridicule]
Review by Thomas E. Kaiser and Lisa Jane Graham
Neither Saint nor Whore
Review by Liana Vardi
[The King is Dancing] and [The King’s Way]
Review by Michael P. Breen and Junko Thérèse Takeda
[La Princesse de Montpensier]
Review by Paul Cohen
[Black Venus/Vénus Noire]
Review by Matthew Ramsey
[Army of Shadows] and [Lacombe, Lucien]
Review by Simon Kitson and Richard Vinen
[Breathless] and [Cléo de 5 à 7]
Review by Patrick Young and Rebecca Pulju
[La nuit de Varennes] and [Danton]
Review by Jack Censer and Mary Ashburn Miller
Interview with Susanne Alleyn
Review by Liana Vardi