All Issues

• Volume 14, Issue 2 — Summer 2024 | Lessons on Mounting a Museum Exhibit: Furcy Madeleine from Réunion to Little Rock, Arkansas
  • Translating Slavery, Freedom, and Race for French and American Publics
  • Furcy Madeleine and Abby Guy: Translating Histories of Slavery and Freedom in Arkansas
• Volume 14, Issue 1 — Spring 2024 | From the margins and trenches of history
  • Portrait of a Complex Woman: Gisèle Pineau’s Ady, soleil noir
  • Images and Imaginaries of Black Atlantic History: Chevalier and Joseph Bologne, the Chevalier de Saint-George
  • History with the Politics Left Out: Maïwenn Le Besco’s Jeanne du Barry (2023)
  • Birth Brothers: David Diop’s Vision of Darkness and Blood on the Western Front
• Volume 13, Issue 3 — Winter 2023 | Ethical Scholarship: An Imaginaries Reading List for the Israel-Palestine Conflict
• Volume 13, Issue 2 — Fall 2023 | From Fiction to Film
  • The “Infernal Machine” of Our Modern Media Marketplace, Vivified: Xavier Giannoli’s Film Lost Illusions
  • Returning to Rue Cases-Nègres
  • Eugénie Grandet, or Balzac Modernized
• Volume 13, Issue 1 – Spring 2023 | Abortion and Women’s Health
  • L’Épanouissement in Annie colère: The Journey of a Movement
  • Drawing Vulnerable Bodies: Reproductive Health and Abortion Comics
  • Desperately Seeking Abortion in Chad: Mahamat Saleh Haroun’s Lingui: The Sacred Bonds
  • L’événement from Page to Screen: Annie Ernaux, Audrey Diwan and the Subversion of Patriarchal Authority   
• Volume 12, Issue 3 – Fall 2022 | Fiction in Translation
  • Translating as an Act of Care: Interview with Translator Nathan Dize
  • Reclaiming Voice in Francophone Polynesia: Chantal Spitz’s Island of Shattered Dreams
  • Giving Voice to the Enslaved: Fabienne Kanor’s Humus (translated by Lynn Palermo)
  • Annie Ernaux’s The Years in Translation; or, the Art of St(r)aying True
• Volume 12, Issue 2 – May 2022 | The Streaming Issue
  • The Most Civilized and the Most Savage: Sabri Louatah’s Les Sauvages in print and on screen
  • Melodrama in Fin-de-Siècle France: Le Bazar de la Charité (The Bonfire of Destiny)
  • A Note on Volume 12, Issue 2
  • “Vu et regardé”: Lupin Steals the Show
• Volume 12, Issue 1 – January 2022 | New Horizons
  • A Lesbian Oasis? Jacqueline Audry’s Olivia
  • “Que de mauvais cultivateurs”: Ladj Ly’s Les Misérables (2019)
  • “Dinner’s Ready!”: Consumer society or Consumption of ‘High’ Society in Bruno Dumont’s Ma Loute
• Volume 11, Issue 4 — September 2021 | The Inaugural Issue
  • Séduction et sida dans le cinéma français
  • Pandemic Fear: Fred Vargas, Pars vite et reviens tard/ Have Mercy on Us All, translated by David Bellos
  • J. M. G. Le Clézio, La Quarantaine: Literature, Contagion, Confinement
  • Death and Disease: Revisiting Hervé Guibert’s To the Friend Who Didn’t Save My Life