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Films, Fictions, and Other Representations of French-Speaking Worlds
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“Dinner’s Ready!”: Consumer society or Consumption of ‘High’ Society in Bruno Dumont’s
Ma Loute
“Que de mauvais cultivateurs”: Ladj Ly’s
Les Misérables
(2019)
“Vu et regardé”:
Lupin
Steals the Show
Eugénie Grandet
, or Balzac Modernized
L’événement
from Page to Screen: Annie Ernaux, Audrey Diwan and the Subversion of Patriarchal Authority
A Lesbian Oasis? Jacqueline Audry’s
Olivia
Annie Ernaux’s
The Years
in Translation; or, the Art of St(r)aying True
Birth Brothers: David Diop’s Vision of Darkness and Blood on the Western Front
Death and Disease: Revisiting Hervé Guibert’s
To the Friend Who Didn’t Save My Life
Desperately Seeking Abortion in Chad: Mahamat Saleh Haroun’s
Lingui: The Sacred Bonds
Drawing Vulnerable Bodies: Reproductive Health and Abortion Comics
Giving Voice to the Enslaved: Fabienne Kanor’s
Humus
(translated by Lynn Palermo)
History with the Politics Left Out: Maïwenn Le Besco’s
Jeanne du Barry
(2023)
Images and Imaginaries of Black Atlantic History:
Chevalier
and Joseph Bologne, the Chevalier de Saint-George
J. M. G. Le Clézio,
La Quarantaine
: Literature, Contagion, Confinement
L’Épanouissement in
Annie colère
: The Journey of a Movement
Melodrama in Fin-de-Siècle France:
Le Bazar de la Charité
(
The Bonfire of Destiny
)
Pandemic Fear: Fred Vargas,
Pars vite et reviens tard
/
Have Mercy on Us All
, translated by David Bellos
Portrait of a Complex Woman: Gisèle Pineau’s
Ady, soleil noir
Reclaiming Voice in Francophone Polynesia: Chantal Spitz’s
Island of Shattered Dreams
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